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She has published books, articles and book chapters on the representation of minorities in cinema and television. Anne Crémieux is Professor of American studies at Université Paris 8 – Vincennes-Saint Denis.
#Local gamesdeal homeworld remastered collection tv#
After working on film adaptations, she has devoted her most recent research to contemporary TV dramas, from an aesthetic and cultural perspective, and is co-editor of the online journal TV/Series. Ariane Hudelet is Professor of Visual Culture at Université de Paris (LARCA/CNRS).
#Local gamesdeal homeworld remastered collection serial#
It will also interest students attending classes on serial audiovisual narratives and will appeal to fans of the series it addresses, such as Fargo, Twin Peaks, The Hunger Games, Bates Motel, and Sherlock. Written by a team of international scholars, this book highlights a diversity of methodologies that will be of interest to scholars and doctoral students across disciplinary areas such as media studies, film studies, literature, aesthetics, and cultural studies. By associating theoretical considerations and close readings of specific works, as well as diachronic and synchronic approaches, this volume offers a complex panorama of issues related to seriality including audience engagement, intertextuality and transmediality, cultural legitimacy, authorship, and medium specificity in remakes, adaptations, sequels, and reboots. The book historicizes and contextualizes the notion of seriality, combining narratological, aesthetic, industrial, philosophical, and political perspectives, showing how seriality as a paradigm informs media convergence and resides at the core of cinema and television history. This collective book analyzes seriality as a major phenomenon increasingly connecting audiovisual narratives (cinematic films and television series) in the 20th and 21st centuries. Part III: Seriality and the Cinematic/Televisual Convergenceģ.1 The (Re)Making of a Serial Killer: Replaying, “Preplaying,” and Rewriting Hitchcock’s Psycho in the Series Bates Motelģ.2 Fargo (FX, 2014–) and Cinema: “Just Like in the Movie”?ģ.3 Screening Dreams: Twin Peaks, From the Series to the Film, Back again and BeyondĤ.1 In-Between Still and Moving Pictures: Series and Seriality in Stephen Poliakoff’s Serial Drama Shooting the Past (1999)Ĥ.2 “The Abominable Bride”: Sherlock and SerialityĤ.3 Subject Positions and Seriality in the Good Wife Introduction: Cinematic, Televisual, or Post-Serialitiesġ.1 Opening Gambits: Cross-Media Self-Reflexivity and Audience Engagement in Serial Cinema, 1936–2008ġ.2 Ensemble Storytelling: Dramatic Television Seriality, the Melodramatic Mode, and Emotionsġ.3 The Cinematic-Televisual: Rethinking Medium Specificity in Television’s New Golden AgeĢ.1 A Forgotten Episode in the History of Hollywood Cinema, Television, and Seriality: The Case of the Mirisch CompanyĢ.2 Diversions in the Hunger Games Film Series: The Fragmented Narrative of Hijacked ImagesĢ.3 Raising Caine: Hollywood Remakes of Michael Caine’s Cockney Cycle
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